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C H A P T E R

Supplemental Development Standards

a. Semi-Flush. Garage doors are oriented toward the street. Garage doors must be positioned between 5 and 20 feet behind the front wall plane of the house, extending no more than 40% of the width of the house. No individual garage door may exceed 12 feet in width.

Division 4: PARKING LOCATION AND DESIGN

Section 7.1.4.1 Single-Family and Two-Family

A. Intent

1. The intent of the private residential parking requirements is to minimize the visual impact of street-facing garage doors. 2. Where garage doors can be seen from the street, measures should be taken to reduce the visual impact of the doors. 3. Measures include garage doors set back from the front wall plane, architectural treatments, translucent garage doors, single doors, projecting elements over the garage doors (such as bay windows) and limits on the total number of doors that face the street. 4. Private Residential Parking requirements enhance pedestrian circulation and safety in higher density developments or along high traffic streets. B. Alternative Compliance Findings. The Planning and Zoning Commission may, in accordance with Section 2.8.4.1, approve a modification to the private residential garage parking requirements, subject to the following findings: 2. The approved alternate conforms with the Comprehensive Plan and adopted City plans; 3. The approved alternate does not negatively impact pedestrian circulation and safety based on the density and adjacent street type; 4. Measures are taken to mitigate the visual impact of the garage design; and 1. The approved alternate meets the intent of Section 7.1.4.1;

Figure 7.6 semi-flush garage

b. Recessed. Garage doors are oriented toward the street. Garage doors must be positioned at least 20 feet behind the front wall plane of the house. There is no restriction on garage door width.

Figure 7.7 Recessed Garage

c. Side-Loaded. Garage doors are oriented perpendicular to the front wall plane. Any wall of the garage must be located at least 3 feet behind the front wall plane of the house.

5. The required garage setbacks are met.

C. Residential Garage Parking Requirements

1. Where Residential Garage Parking requirements are applicable, garage placement must match one of the following:

7:8

San Marcos Development Code April 11, 2018

Cranfield IT and Digital Leadership Programme

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UNITY IN DIVERSITY

THEME RATIONALE

This year’s Annual Report theme – “Unity in Diversity” – pays tribute to our people. – we say it often and with good reason. It is only because of the determination and dedication of our people that we can serve our customers, generate long-term value for our shareholders, as well as contribute to the industry and broader community. This has been particularly true amidst the challenges of our industry these past few years. Based in different geographic locations around the world, our multi-faceted workforce of seafarers and shore employees bring onboard their unique skills and talents as well as their disparate perspectives, beliefs and cultural nuances that make MISC a colourful yet energetic place to work in. It is this diversity that accords us a vital strategic advantage and enables us to deliver dynamic results. While the differences between our people are marked, they are never foreign; instead the variety is harmonious and never discordant. At the crux of the Group’s efforts is a focus on cultivating and sustaining a diverse work environment and workforce which is critical to connecting with and meeting the unique needs of our diverse clientele and the many communities in which we operate. This year’s “Unity in Diversity” theme also underscores our efforts to cultivate more effective teamwork throughout our diverse workforce across the globe and to strengthen synergistic collaboration among our many businesses. We understand that great strength comes from unifying the hearts and minds of diverse groups of people. It is this collective might which gives people the boldness to stretch beyond their limits and boundaries and attempt new things in new and better ways. As we strive to fulfil our potential and achieve our aspirations, we will harness the unified strength of our people through fostering and cultivating solidarity, as well as by enabling collaboration and positive relationships across our different businesses, departments and geographic locations. The “Unity in Diversity” theme does not just stop at our internal efforts but also extends to our relationships with our partners and industry players. Strategic partnerships and collaborations are vital to our sustainability in the marketplace and enhance our efforts to build better businesses as well as generate value to our stakeholders. We believe that our efforts today will support a stronger and flourishing industry tomorrow as well as help build our brand reputation for the long-term. Today, with a solid foundation and clear perspective of who we are and where we need to get to, a unified, strengthened and focused MISC Group is ready to pursue growth opportunities. The future holds much promise for us.

MUSIC NEWS

visit stack.com.au

tracked recording of the biggest show we’d ever done. We were pretty stoked after that one. The studio-recorded tracks on the EP never stray too far, arrangement-wise, from what you two could conceivably perform

continued

PIERCE BROTHERS Pat Pierce of adored Aussie folk duo Pierce Brothers answers our questions about fresh new EP, My Tired Mind . For the full Q&A, visit stack.com.au. Do the two live tracks on the EP come from your recent Aussie headline tour? I can hear a throaty scream at the start of The Records Were Ours but I couldn’t decipher if you named a city! That show was once of the most amazing shows we’ve ever played; it was at Colours Of Ostrava in the Czech Republic. Ostrava is a city on the east side of CZ, about 10 minutes away from the border of Poland. We weren’t expecting much from the set, as we’d never played a show that far east in Europe. Sure enough, we turned up to our 11pm set [and saw] 25,000 people screaming at us. [Afterwards] we found that we’d gotten a fully- GOOD BOY

yourselves on stage. Is it important to stay as close to that live energy as possible, or do you foresee something different in the future? It’s definitely something we’ve talked about and experimented with – having other musicians on-stage with us. Generally our strength is in us getting such a big sound on stage with just the two of us, so we’re tentative to commit to touring with, say, keys or bass or horns.

The official video for The RecordsWere Ours is very cute.Which one of you is that doing the worm, and have you ever accidentally squashed your face while doing it? That was a funny day actually. I had the idea to mash up some studio footage with a performance piece in a cool-looking ballroom, so we had a look around and found one quite

close to where we live! A good friend of ours Carl Allison went to film school with me and we’ve worked on several of our film clips in the past, so we teamed up again and just winged it on the day. The worm came from Carl directing [me] to just walk around and do stupid sh-t. And yes, I have f-cked my nose a couple of times doing that! ZKR

That said, the more time we spend in the studio, the more carried away we get, so we find ourselves adding keys and horns (etcetera) to the tracks. I guess we’ll just need to see what the future holds. At this stage we’re still adding instruments to our set-up, which is a nightmare to travel with, but is a lot of fun once it’s set up!

My Tired Mind EP by Pierce Brothers is out now via Warner.

we picked up on the Sunshine Coast. I think we give cars names because of all one’s possesions, cars are usually one of the most expensive and useful, so we put a high emotional and financial value onto the car. And this is amplified if the car has a lot of character and/

bastard got treated like sh-t.

At the beginning of Fishing With A Shotgun someone says something like “You’re rolling! Pizza timer is on.” Did you promise yourselves ‘No pizza ‘til we get a good take’? We recorded FWAS with Tim Fitz from Middle Kids in his grandparents’ house built in the ‘50s. If I can remember correctly, it was in between shows on the Skeggs tour, and I was particularly hungover and didn’t want to be alive

Vocalist and bassist of Brissie duo Good Boy, Rian King, tells us about the dudes' pretty stunning EP Shirk Life - available at JB on vinyl. For the full Q&A, head to stack.com.au.

Shirk Life EP by Good Boy is out now via Barely Dressed/ Remote Control.

Was there any specific point where you decided you wanted to really use your lyrics to criticise, decipher or commend what you saw going on in Australian politics? No, there was no point where I wanted to do that. I write very blatant lyrics; they are not hard to read and figure out. Australian politics and politicians is something that I get angry about and so I wrote about the Marriage Equality battle, for example – something many, many Australians feel strongly about, and it is relatable, and I’ve done my duty as someone who has a platform to speak out

against this or that. I guess that’s it: if you have been

or sentimental value. Albert and I had a very healthy dominant- submissive relationship. Poor

given a platform to speak out about issues you feel strongly about, it is your duty to do so.

1972VW Superbug is extremely beautiful. Did you name your beetle Albert?Why do you think we anthropomorphise cars? Thank you for saying so, you’re too kind. Yes, Albert was the name my father and I gave to the 1972 VW Superbug

anymore. I think we were doing the vocal takes and, yeah, pretty much the pizza was on its way, and I had to get a good take down before it arrived. It picked up my mood for sure. Tim is a really good engineer and is so fun to hang out and talk with. ZKR

014 DECEMBER 2017

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17

To book contact: Cranfield Executive Development team Tel: +44 (0)1234 754500 Email: execdev@cranfield.ac.uk

For more information visit: www.cranfield.ac.uk/som/cdlp